The Perfect Touch Thumb Pick - LARGE
As with the full range of Perfect Touch Finger and Thumb Picks the design that Tennesse USA based Rusty Thornill has introduced with his Perfect Touch Thumb Pick is innovative and unique.
No matter which style you play the combination of Delrin with a double wrap nickel body works fantastically well on banjo, guitar, dobro and Appalachian dulcimer.
This pick sits on your thumb in a positive and comfortable position in just the right place to attack the strings with greatest effect.
As with all Rusty Thornhills products the Perfect Touch Thumb pick is guaranteed that you won’t wear it out for the life of the pick. Play with Passion!
Click here to get the correct size. 
Please click on the “SIZE YOUR PICKS words above to see a full screen sizing chart.
These unique picks are really well thought out and feature each pick in the pair having a different way of wrapping around your finger.
This means that once you have moulded the picks to fit you use the same one each time for your chosen finger leading to consistent playing and removal of those annoying pick clicks that seem in bred in so many other brands- simply brilliant…
Why choose Round Face, Flat Face, Nickel or Brass …What’s the differences
Well if you are looking for a warmer less bright sound choose brass and for a much crisper brighter sound then choose Perfect Touch Nickel Finger Picks
You can bend flat face picks more easily around your finger as the round faced ones are stiffer.
If you want a fuller tone the round face Perfect Touch Finger Picks being stiffer will achieve this. Whilst at the other end of the scale for a warmer sound then the flat faced Perfect Touch Finger Picks are the choice to make..
Need any more help just give us a call or send an email and we will help you with the Perfect pair of Perfect Touch finger picks. Happy Pickin!
This is how Rusty Thornhill himself tells the story of Perfect Touch Finger Picks.
Although National style finger-picks have been around for the better part a hundred years, few finger-pickers are completely satisfied with how they work and feel.
Among the complaints: if they’re adjusted tightly enough to stay on , they hurt, not to mention the hangnails they can cause; for some, clicking picks is an annoyance; for others, it is difficult of impossible to finesse a musical piece with hurting fingers, or while worrying that at that moment a pick might come off and shoot across the stage.
Rusty Thornhill, a lifelong musician, recording studio engineer/producer, author, inventor, and technology developer, played a gut strung guitar for decades because his finger nails could not endure steel strings for more than one of two songs.
When he tried to use National style finger picks, his ‘’touch went out the window.’’ For thirty years he dreamed of a finger pick that would feel like fingernails. He decided to make his heart’s desire a reality. After what seemed like endless hours of development, and a drawer full of hand- made prototypes, Rusty Thornhill’s dream at last emerged from the shadows.
The result is what he calls Perfect Touch Finger PicksTM.(patented)
Designed as a set of at least two, each pick has a unique shape, which virtually prevents clicking. When snugly installed, it is almost impossible to sling them off the fingers. Some say the picks feel like part of the finger when they put them on. And while in truth, they may not feel exactly like fingernails, it’s as close as one is liable to get with a finger pick. With these picks, one can actually achieve the ‘’perfect touch.’’
The picks are designed to reside above the cuticle. The middle finger pick is designed with a low wrap with cut-outs that allow the forefinger pick, which is designed with a unique high wrap, to touch the skin of the middle finger, instead of metal. This design of course, is what prevents clicking.
The inside of each pick is lightly abraded, which in addition to the unique wraps, helps prevent the picks from slipping off. The picks come in three sizes, small, medium and large: and in nickel silver and brass.
